Drawing cartoon animals instead of humans, Spiengelman had the intention of creating an melodramatic pulp illustration mode. So, he decided to draw Nazis as cats, ethnic Poles as pigs, and Jews as mice.
But why mice...?
"A filmmaker I had become close friends with, Ken Jacobs, was teaching an introduction to cinema class. On this particular day, Ken showed a bunch of old racist animated cartoons from the silent and early sound era.
I then realized that this cat-mouse metaphor of oppression could actually apply to my more immediate experience with animal faces in which the denouement would have the protagonist getting crushed to death by a giant mousetrap that snaps shut on his body." ~ Spiengelman (The New York Review of Books, 2011)
Sources:
http://www.nybooks.com/blogs/nyrblog/2011/oct/20/why-mice/
(The New York Review of Books, 2011)
http://global.britannica.com/EBchecked/topic/681048/Art-Spiegelman
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